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L.E.A.F. – LYS (2015)

LYS


Long awaited, and now it is finally here: The new album of L.E.A.F. called Lys!
Recorded, mixed and mastered throughout the year, today is the day that Kati Ran will present her latest musical endeavour to the world.

LYS is the brainchild of Kati Ran, but there were many others involved. The album was produced by Christoffer Juul at LAVA studio in Denmark, and both Christoffer and Maria Franz of EUZEN perform on the album. Other guest musicians include Kai Uwe Faust of HEILUNG and Oliver S. Tyr of FAUN.

It is an album that is full of deeper meanings, old and ancient poetry, shamanistic rites, and it comes off as an album that was written straight from the heart! Combined with some very nice artwork by Charlotte Boer it has most certainly become a beautiful total package!

Track 1: Flamme

Right away this track opens the album with Kati’s clear and warm voice. The song sounds like an intro, a promise for the rest of the album. The lyrics of the song are by Kati, but with components from Atlamal and Gripisspa, two of the Eddic poems, immediately showing that this album is more than “just music”.




Track 2: Sol

Sol means ‘Sun’, which as the booklet explains has always been very important. The song to me is about man’s journey through time. Like the previous song the lyrics are written by Kati, but this time it contains verses of the poem ‘Let the Light Enter” by Frances Ellen Watkins Harper. The music starts off simple, but more and more layers get added as the song progresses, which to me can represent not only the seasons of the year, caused of course by the sun, but this can also symbolise life, as it starts off simple but as we grow older we add more and more complexities to life.


Track 3: Ran

The start of this song feels deeply spiritual. When the percussion comes in it provides a lot of depth in the sound and slowly but surely it grows into a song with quite a massive presence. Ran is the Goddess of the sea but also Kati’s stage name.


Track 4: Terveh

Our first ever Monthly Marker and it has been a part of our playlist ever-since. Terveh is a song in an old Finnish language from the Karelian area, and it’s an old Scandinavian rite to contact and communicate with the spirits of the neighbouring forests. As far as the music goes it does have more of a “modern” feel than what you would expect of something so ancient. The hand of Christoffer Juul (Valravn, EUZEN, LAVA studios) is clear in this song. Powerful in the low end, very melodic in the vocals.




Track 5: Harpa Toner

A traditional Norwegian song, and as we may expect from the older European fairytales, death plays a rather large part in it. The song is a story about a girl gets killed by her older sister, so that the older sister can then marry the lover of the dead sister. However, the bones and hair of the young sister are used to create a harp, which then plays at the wedding and sings the truth. Musically a very layered track, with a clear and sharply defined high end and some deep dark lows, combining to a very complete song. Highly enjoyable, if you can forget the murder and body parts 😉


Track 6: Nymanen

A remake of Under Nymanen from L.E.A.F.’s earlier EP. This was my personal favourite then, and the song that made me fall madly in love with the vocal quality of Kati Ran, and so I’m happy that this song was selected for a remake. I can say that the song hasn’t changed an awful lot fortunately, we can just hear that it has matured and has become somewhat more powerful.


Track 7: Vinda

A very laid-back type of song. Slower, with a dreamy quality, it makes you want to close your eyes and just drift off. The song was written by Maria Franz (Euzen) when she was only fourteen, and indeed Maria sings this song as a duet with Kati. I don’t speak Danish, so I can’t really attest to that, but the English translation certainly does have a very poetic feel to it!


Track 8: Fylgja

The title of this song is in Old Norse and the lyrics in German, which would then make the 4th or 5th language on the album, none of which are Kati’s native tongue. If nothing else this emphasizes the international aspect of this album. The song takes the listener deep into a dream-state, with a very nice continuous rhythm and heavy reverb on Kati’s soothing vocals.


Track 9: Suurin

Suurin is another traditional rite from Finland, and the shamanistic properties of the song are evident from the start. Strong drums and a powerful chant, and the power just keeps building up during the song. Even though the song itself doesn’t reach a clear climax, I can certainly envision people reaching a level of ecstasy from this song when performed or played in the right circumstances.


Track 10: LYS

LYS starts off as a Galdr, an ancient form of song intended to conjure magic. I have been fortunate enough to have seen this song performed live on stage at Castlefest during the combined L.E.A.F./SeeD show, and it certainly felt magical! What a sense of power coming from that stage! And I will admit, even the recorded version gives a similar power, which is not often the case. From start to finish this track speaks to the primal part in my soul with the carefully crafted Galdr text and the massive power from the rhythm.


L.E.A.F. - Lys

As a favourite track I would have to go with Harpa Toner this time. I love the music, the range between the highest highs and the lowest lows, and to be honest I love these kinds of older folk tales. Thank you Kati for breathing life into this one!

Overall the entire album merits taking the time to put on some headphones, or switch on a very high quality stereo when the neighbours aren’t around, and really experience it. Many of the tracks have poetical, lyrical qualities that deserve your undivided attention. I would say: Listen to the album in that way once. Then, if you don’t have all of the knowledge at hand, get on-line, dive into books, find out as much information as possible about all of the topics that this album holds. Find the parts of the Poetic ‘Edda’ that Kati used and bring their context into the experience. Find the poem “Let the light enter” by Frances Ellen Watkins Harper and do the same. Envision yourself a part of the Shamanistic rites. And then listen to it again several times. This album is much more than music. To be honest, while that is an amazing achievement, it is also somewhat of a curse. I don’t see LYS ever playing in my car while driving, or in my house as background music. You really want to be able to focus completely on all the layers that Kati gives you. That being said, I am ecstatic to have this album as part of my collection and I really believe that anyone who is into Nordic folk, Nordic mythology or Nordic religion should go out and buy themselves a copy!

– Arjan


Kati

L.E.A.F. is Kati Ran


Pictures courtesy of:

Kees Stravers
http://www.pbase.com/kees_s


Review ‘EMIAN – AcquaTerra’ online!

Cover (750p) IT’S THURSDAY!
And that means it is time for another Thursday Theatre, as promised!

This time our light shines on an amazing Italian Paganfolk band that is gaining a lot of momentum throughout Europe. We’re talking of course about EMIAN, the four person band that last weekend even came as far north as Belgium, when they played at the fantastic Celtic Night Geluwe.

We have for you a review of their first album, AcquaTerra, which was released in 2014. Lots of harp, lots of good honest musical excellence, and an obvious Omnia influence, making it especially interesting for fans of that particular Dutch pagan band.

Read the entire review here!


EMIAN – AcquaTerra (2014)

Cover (750p)


This time our light shines on an amazing Italian Paganfolk band that is gaining a lot of momentum throughout Europe. We’re talking of course about EMIAN, the four person band that last weekend even came as far north as Belgium, when they played at the fantastic Celtic Night Geluwe.

We have for you a review of their first album, AcquaTerra, which was released in 2014. Lots of harp, lots of good honest musical excellence, and an obvious Omnia influence, making it especially interesting for fans of that particular Dutch pagan band.

EMIAN is an Italian band, consisting of four people, Aianna Egan, Emain Druma, Rohan and Máirtín Killian, that have lost their hearts to Irish and Celtic music. With their first album “Acquaterra” (2014) they have left their mark on the European folk scene, and their musical prowess is also shown by the many, many concerts they play throughout the year!


Track 1: A Sailor’s Tale

Right off the bat the sounds of the harp take you into a dream-world, and as the song progresses the harp starts to play with the strings and you just know that this will be a “sit back and relax” type of album. The sounds of the sea, the creaking of ships decks, the ships bell keeping time, they all create an atmosphere well befitting the music, and the warm vocals and soft harmonies only add to the feeling. A Sailor’s Tale is a tale of love lost, and how could a sailor’s tale not be? With a harp that is very reminiscent of ‘Grunde Lunden’, at least in the beginning, and vocals that have the same style and feeling as ‘The Bold Fenian Men’, it is immediately clear that EMIAN is at the very least inspired by Omnia, and that they will certainly share a fan-base.


Track 2: The Last King’s March

The song starts off like something you might have heard in an old medieval castle, gentle, with a lot of clarity. But then, after the horn sounds to signal the march, the mood changes and the same melody now becomes part of something much more powerful. Anna certainly knows how to play the harp and in this song she takes the instrument all the way! There are many different levels of intensity, many different layers throughout the song, and they all flow together naturally like a story.




Track 3: Haughs of Cromdale

A pure Irish traditional about the Battle of Cromdale. If it weren’t for the clear Italian accent in the singing one would never know that this song wasn’t recorded by a very experienced Irish band. Very well done, a pleasure to hear!


Track 4: Butterfly

Butterfly is another traditional, but an instrumental one, and with a nice spin to it. Closing my eyes I can imagine children playing in the sun, dancing around to these wonderful tunes. All is good when listening to such a beautiful song!


Track 5: Mother’s Breath

It’s hard to describe how this song starts. Maybe one could say it starts with the sounds of chaos from which everything forms. But when the chaos subsides and the main melody starts we hear some more very clear and obvious Omnia influences! It is amazing to hear how EMIAN has taken this song and made it their own, with lyrics and musical variations. A song fit for Mother Earth!




Track 6: Dúlamán

Dúlamán has been played and recorded by many a band and artist, and everyone always gives it their own spin. EMIAN’s version is a very rhythmic and powerful one, almost making it sound like a war-song instead of a song about gathering seaweed and about love. The power in the percussion does make your heart strong, and when the song is finished it leaves you wanting more.


Track 7: Dance in Circle

The sharp harp sounds that this song starts with quickly snap you out of that dark deep power, and when the melody starts you immediately know why this song is called Dance in Circle. It is a very danceable track and I can certainly see large circle dancing, preferably around a large fire. Again an epic song, telling many tales through music alone, this song needs to be shared with as many friends as possible! Let’s all dance in the circle until the sun rises again!


Track 8: Echu Eo Ar Mare

Echu Eo Ar Mare, a Breton hanter dro, is the last song on this album unfortunately. I would have liked for this album to have continued, but I know there is only so much space on a disc. This song is a perfect ending though, as it is a perfect example of a song that can be enjoyed either just sitting on the sofa listening, dancing through your home, or dancing with a hundred visitors on a festival. It leaves us with great promises for the future!


EMIAN (750p)

A quick look at the album-cover immediately shows what kind of band this is. They are Celtic oriented, and they are Pagan, and they have no intention of hiding it. The stag, the leaves, the triskele and triquetras, they all leave no doubt. The style of the artwork actually reminds a lot of the album cover from Damh the Bard’s ‘Antlered Crown and Standing Stone’. I love it, as it sure shows you what to expect!

Overall the album showed a lot of diversity while still maintaining unity. The traditionals are well played, keeping their character intact while at the same time spinning them in a way that it turns them into real EMIAN songs. ‘The Last King’s March’, their own creation, is en epic in and of itself, and I think I would choose that song as my favourite song of the album. We may have a new Monthly Marker here 😉

Hopefully we won’t have to wait too long before they start playing all the major festivals in Europe, and before they release another album, because I’m sure we haven’t seen the last of EMIAN yet!

– Arjan


Photo taken by: Claudio Del Piano


Review of ‘Elvya – Untold Stories’

Cover (750p) We’ve been seeing lots of posts the past few months about Elvya Dulcimer‘s upcoming album, and now, shortly before the album release, we were able to do a review on one of 2015’s most amazing albums, mainly recorded and mixed at Orchus Studio, all by the talented Fieke van den Hurk.


Elvya – Untold Stories (2015)

Cover (750p)


For months, if not longer, we have been teased with posts on Facebook by Elvya, showing progress on her first album. Guest musician after guest musician, all entering the well known Orchus studio of Fieke van den Hurk, or the Wisseloord Studio in Hilversum, made us very curious as to what this album would turn out to be like.
And now, shortly before the actual release of the album, we had the opportunity to review it. And what an opportunity it was!
But before I go rambling on, and give away everything I want to say about this album in the intro of the review, let’s just start with the track by track review you’ve grown accustomed to by now.

Elvya – Untold Stories (2015)

Track 1, Intro, sets a mystical atmosphere, and the listener gets invited into a new world by Arjen Lucassen, with a beautiful accent I might add. It opens up the mind of the listener to receive the Untold Stories.

Henge (750p)

The intro seamlessly moves into Nature. A very mysterious sound, opening up into an epic tribute to Mother Nature. In Dutch we have a word “filmisch” which doesn’t translate very well into English but it does definitely apply to this track. It would be a very fitting soundtrack to some grand images in a movie, birds eye views of wide open plains, massive herds of wild animals roaming free. If this is a hint of what is to come on this album I’d better make myself comfortable or else I will be blown away!

Lavor Mi Gente starts of with a very warm feeling. It is a very emotional track where elements of love resonate through the song, leading towards “love lost” at the end. Key words would be powerful, moving, touching.

Next up is Gover Si Vena. With the addition of more electronic elements and the harmonies throughout this track it not only reminds me of Era, it actually gives me the same feeling. The grandeur in the music, the power, the energy. Checking the lyrics, the translated version, gave me a very mixed feeling, but in a good way. “Mothers are grieving, Praying to the heavens, Reunited in love, One last time.” So much beauty and pain combined in one track, it’s simply amazing. This is art!

Light (750p)

The fifth track is called Socopelli. It is a track that has been rightly placed on the album to give the listener a moment to come down from all this emotion and grandeur. A beautiful song, easy to listen to, and to contemplate the Stories that have been told so far.

The next song, Remember, is a fairytale in its own right. So much is told in this story, yet so much is still left Untold, left open to the interpretation of the listener. I think that this story can, and most likely will, be different for everyone listening to it, as we will all impose our own past and imagination on it. The melodies in this song, I freely admit, gave me goosebumps the first time I listened to it, and even after hearing it several times the song actually brought me to tears!



I don’t really know how to describe the music and vocals in Try to Listen other than as “full of self control”. It is as if the music really wants to break free, but it is held back to a perfect level, because it gives the whole song a bigger impact. The depth and the layers in this song are amazing!

Track 8, Kardizam, is another instrumental track, serving as a great interlude. Almost as if this marks the beginning of a new chapter.

Twirl (750p)

Leave Me starts with some good old 12″ hiss, which will always have a special place in my heart. The song itself is like “mystery meets Euzen”, with almost spooky sounds combined with somewhat of a Drum ‘n Bass type beat. Something completely different, but in a strange way still very fitting to the album. This is definitely later-on-the-main-stage-at-a-festival, danceable material!

Daddy is an emotional plead to a father, giving some information in the lyrics, but still, as with Remember, it leaves a lot to be filled in by the listener. As for the overall feel of the song, I would say it reminds me somewhat of the beautiful ballads by some of the greatest symphonic metal bands of the past few years, without actually sounding like metal very much. There is strength in symphony.



Dulcimer (750p)

I absolutely love the hammered dulcimer, and Spring Dance shows why. It is one of very few instruments that I feel actually tells a story all by itself, with nothing more than sounds. Not a word is sung in this song, but the listener can clearly follow a storyline from beginning to end.

Ann’Vatu, in the language of Elvya, means “Celebrate”, and indeed this song is a celebration of nature, of everything around us that makes our world beautiful. Almost meditative, the lyrics are like a mantra, capturing the deep appreciation of nature. I am very certain I will be listening to this track a lot!

And then we come to the end of this album, unfortunately. The Outro has a clear warning by Arjen Lucassen that the listener has a choice to make. Head back to your own world, or stay in this world of Untold Stories forever. It’s a hard choice to make, but fortunately I still have the album, so I can always return to this enchanted land.


Tree (750p)


One of the things I usually do in a review is choose one favourite track. This way the reader can use that as a reference as to how I listened to the album and artists are often interested in it as well. Liesbeth (Elvya) actually asked me about my favourite track. But you know what? I really don’t know this time. I just can’t choose. Both Remember and Try to Listen have literally moved me to tears, and Ann’Vatu might just be a new mantra for me to repeat when I am out in nature. Those would then most likely be my top 3 tracks of the album, let’s keep it at that.

The artwork of the album, the cover and the CD, give a feel of a fairytale book, the old ones that my parents used to get from the library. The booklet is filled with pictures of beauty and mystery, and overall it all combines perfectly with the music. All lyrics are provided, and in the case of the songs that are sung in Elvyan there are also translations that read just as beautiful as the songs sound! The entire album is a complete package, from start to finish.

Owning and operating a radio-station in the Folk scene means that I get to hear some amazing music, I get to receive some amazing albums. In our scene the focus is on beauty and feeling in the music, not on making as much albums or selling as much music as possible, and that translates into the overall quality within the entire world of folk. There just aren’t many “bad” albums being released. That being said, sometimes we find a diamond in a field of pearls, and I would say that we found one today. Is it due to the musical mind of Elvya? Is it thanks to the engineering and production genius of Fieke? Could it be the star filled line-up of guest musicians that helped create this album? I don’t know, I think it’s most likely a combination of all of the above. But I do know that without Elvya this album would not exist and I am very thankful that it does! I’ve had a conversation with someone once who pointed out that being honest with reviews also meant pointing out flaws, and he was right. But tell me Mr. C, what do I do when I can’t find any? The only downside is that some of the tracks aren’t very suited to be played on CeltCast, as they don’t have the same Folk-feel as most of our music does. This is however because, in my opinion, these songs transcend the boundaries of folk, and I think that for instance fans of Era and Enya will also love this album. All I can say is: Everybody, go and buy this album as soon as it is released, and emerge yourself in these Untold Stories as I have. I guarantee you won’t be disappointed!

– Arjan


The music on this album was not only played by Elvya, but also by many guest musicians. Which musicians you may ask? Well, check out this awesome list:

Shroom (750p)

Arjen Lucassen: narrator
Ward De Coninck: throat singing, backing vocals, percussion
Ben Auwerx: backing vocals
Ivar de Graaf: drums, acoustic guitar
Dominique Bentvelsen: double bass
Douwe de Wilde: bass guitar
Emilien Delcour: acoustic guitar
Baz Laarakkers: acoustic guitar
Sjoerd van Ravenzwaaij: tin whistle
Coca Román van Dongen: celtic harp
Fieke van den Hurk: hurdy gurdy, accordion, piano
Jan De Weer: recorder
Sophie Zaaijer: violin, viola, cello








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