Tag Archives: Orfeo

2020m05 – Myrkur – Harpes Kraft

Myrkur - Folkesange (2020)

The Power of the Harp

New month, new monthly marker!

Many songs tell us about the magical beauty of harp play and the powers a skilled player can wield under the right circumstances. Previously I was captured myself by Kati Rán‘s Harpa Toner which upon investigation turned out to be one of many renditions of the same tale that has been traveling throughout Europe, shapeshifting and scope-creeping, evolving in time to well-known versions like Binnorie, The Twa Sisters, The Bonnie Swans and Harp of Death. Now, once more I am mesmerized by a harp-related song (or should I say ‘sange’? ) and this time as well, I simply had to know what was behind the softly sang lyrics brought across by the tempting voice of none other than Amalie Bruun, a.k.a Myrkur.

Though mostly known for her Metal albums, Amalie has been diving deeper and deeper into the richness of Scandinavian traditional songs and clearly she came up with some pure Danish gold. As early as January of 2018, some of you may have been lucky enough to witness performances of Myrkur having struck new ground, touring together with other great artists of our scene, like Christopher Juul ( Heilung, Euzen ) and… you guessed it: Kati Rán. Fortunately her collaboration with Christopher did not end when the tour did. In fact, she stepped into his famous Lava Studios and recently proudly released her latest album Folkesange.

This work of art is a 100% match with our station’s format, which means we will be able to play each individual track and what’s more: we have chosen Harpens Kraft as our new Monthly Marker, meaning we will be playing it 5 to 6 times a day for the month of May!



And this brings me back to the story: Harpens Kraft dates as far back as (at least) 1570 and is a ballade about Villemann and Magnhild. Whilst playing a game, the bride is clearly distraught and Villemann inquires about the reasons for her distress, offering up several possibilities, which all are refuted by Magnhild. Instead, she reveals a premonition that she will fall (to her death) into the river Blide, like her two sisters did before her. Although the lyrics of Harpens Kraft end here, the story does not. Despite Villemann’s reassurances promising her the protection of many of his men and the building of a very strong stone bridge, she is not comforted and as it turns out, rightfully so. When Magnhild crosses the bridge, her horse rears up on its hind legs and she falls off into the river. The moment Villemann hears of this, is where Myrkur picks up lamenting in the song Villemann og Magnhild, the Norwegian part of this tale, which is also part of the repertoire of bands like (amongst others) SKÁLD and Datura:



After her fierce Kulning singing, Amalie continues to tell how Villemann took his golden harp to enchant the troll that was holding Magnhild, by draining the power from his arm with his harp play. As is often the case with Nordic tales, the (here unsung) ending isn’t a happy one, as she doesn’t come back to life, but he can at least provide a proper burial.

Epilogue:
The story of this tale actually doesn’t end here and so, I will finish with the beginning. In the variations that could be heard in Denmark, Sweden and Norway, the troll was the villain, yet in Iceland, there was none but fate itself. Something happened halfway on the Norwegian Sea and clues can be found exactly there: on the Shetland Islands, wherein Unst the Scandinavian versions were predated by a very similar song from the 14th century:



This song has a happier ending, the Celtic influences are clearly recognizable in the character of the Elven King and the clue to the last part of this trip, lies in the naming of the hero of it all: Villemann is called King (or Sir) Orfeo. This is where my wonderings went full circle for me: Orfeo was one of the first Balfolk bands I danced to, back when the scene was just sprouting in the Netherlands and it was the personal CD collection of Erica, the flutist of that very band, that laid the foundation for CeltCast’s musical arsenal not much later.

But wait! There’s even more to this story:
Let me offer you the chance to go even further back in time and have a listen to AmmA‘s King Orfeo, a rendition of the late 13th century version of the Westminster-Middlesex area. This version was introduced via Breton poets in Medieval times and it contains a mixture of Celtic mythology, such as the faeries, the Greek myth of Orpheus.



Yes, you read that correctly: this tale brings you all the way back to Greek mythology when in 438 B.C. Euripides wrote the first known version of this love story of Orpheus and Eurydice in his Alcestis. And that to me is the true power of the harp: this instrument once again welcomed me to travel far beyond the confinement of my home and through 25 centuries to show how we are all connected, supported by the tales that travel through time, preferably put to beautiful music.

– Alex


Good morning music lovers!

We open the week again with an update about the albums that have been placed on the new server. There’s so much beautiful and timeless folk music! It’s very special to take a closer look at our “old” albums. My work is reaffirming that we are spreading a lot of positive vibes with all this fantastic music! 🍀

Most albums were old acquaintances, and there was also an older album of Skrömta (a highly energetic folk band), which we didn’t have in our collection yet. Great music with lots of energy! And, the beautiful album of HarPetra from 2018, which we acquired at Fantasy Fest Rijswijk a couple of weeks ago! Harp music to dream away with …
The Orfeo album from 2014 reminds us of a time that CeltCast wasn’t airing yet. Erica Lowis is still regularly in our thoughts. Her music collection supplemented ours when she sold it to us, for which we are still grateful.

And of course OMNIA, the band with which everything started for Alex Sealgaire and me ( Ilona CeltCast ). On the album “Live Religion” are recordings in a church, together with our friends of FAUN ! I hadn’t listened to this album for a long time. 🎻

Actually… there’s one thing all the albums in this photo have in common: they form a collection of special music and artists who have an important meaning to us, to our folk scene, the balfolk scene and therefore for CeltCast – Community Radio!

So… soon to hear on our new server:
OMNIA , Trolska Polska , Orfeo , Rapalje Celtic Folk Music , HarPetra , Skrömta , EmBRUN , LEAF ( Kati Rán ), FolkNoir , RASTABAN , Lúnasa , IN VINO VERITAS (album of 2019, not in photo)

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