Tag Archives: Greenrose Faire

What I Did On My Trip To Elfia Arcen – Part 4/4

Until we meet again! Photo: Pauli Borodulin

Until we meet again! Photo: Pauli Borodulin


“What I Did On My Trip To Elfia Arcen”
by Niilo Sirola / Greenrose Faire

It’s now one week until Elfia Haarzuilens and it’s time to start putting my gear together, figuring out what to fit in the restricted amount of baggage I can take on the plane, let alone what clothing to pack. Instead, I find myself browsing the photos from Elfia Arcen last September and going through my notes and memories, as I seem to have promised to write a travel journal from the artist’s point of view for CeltCast. So what better way to prepare for what will surely be one more weekend to remember…
I’ll leave the description of the wonderful atmosphere, the sights, sounds and costumes to others, and instead try to give a glimpse into an ordinary – yet extraordinary – day in musician’s life.

SUNDAY

Woke up before 8 AM to someone singing in the shower, same as the last day. The breakfast is a bit quieter than yesterday but it seems everyone made it through the night alone. We take the benefit of walking the route back to the castle in daylight for the first time, for there is a lot to look at on the way.

There is also finally some time to walk around the castle grounds and appreciate the different horticultural wonders gathered there. Again, with lot of the people dressed very elaborately as characters from popular culture, I amuse myself thinking someone must be trying to figure who I’m supposed to be dressed as. Hanna reports having been asked to pose for a photograph, but I face no such requests.

Turns out our today’s sets will be back to back, so we decide not to play the exact same show twice but shuffle in some extra songs. Couple of them we have not played in some while, so we have a quick run-through in the dressing room with air instruments. I try to ask around for Helena who was my main contact when arranging these gigs over email, but have not yet met in person and I even have no idea what she looks like.

As I sit down in the stage crew’s tent (and get offered coffee), a bare-foot girl says I look just like someone from the Vikings series (forgot who already). So that answered what I was wondering earlier. Clearly I’ll have to watch that show some day. She introduces herself as what sounds like Elfia to me, and as I can’t catch the proper spelling she conveniently has her CD with her with the name written on it (it’s Elvya). Her main instrument is hammered dulcimer and we swap CD’s (I ended up liking hers quite a lot).

CD Swap

The first show of Sunday starts with the full intro tape this time, so we have plenty of time to walk onto the stage. I drop the decorations on Pete’s desk on my way and have just enough time to put them back before my part starts. I notice the microphone on the harmonium has been fixed on place with gaffer tape this time. Somehow my bouzouki sounds really weird on the monitors today although everything should be the same as yesterday. During Feed the Flames I sneak behind Salla so that I can lean over her shoulder just as she sings ”stand behind my shoulder”. She’s amused but doesn’t miss a beat.

There is a 15 minute break between the sets and I go get another sandwich (they really like their boterham‘s don’t they) and manage to eat almost half of it before the show must go on again. We play maybe half of the songs of the first set again, but still many of the people watch the second set as well. There is one guy standing at the back with his hands crossed who’s been there for all for of our gigs, stone-faced but nodding his head very slightly. He came by the booth to buy all the three CDs after the last gig though. For this last gig, the stage sound is finally fine, and now I have already pretty good idea of how far my cable allows me to run on that stage and overall it’s the most relaxed of these gigs.

The breakdown after the show is more hectic than usual, because we have only about half an hour before we need to start towards the airport again. As we’re packing the last of the cases into the cars, Steef brings Helena to me and we finally get to shake hands. She said she managed to see part of our show and liked it very much, and maybe we should come again next year. I’m very much in agreement.

The drive back to the airport takes a bit more direct route than our arrival in the night, but still it is a close shave what with the returning of the rental cars, distributing our possessions again into the suitcases, so that the potential threats to the safe operation of the flying machinery such as bottles of water and dangerous-looking metal belt buckets don’t go into cabin bags etc, and then running with the instrument cases about couple of kilometres to the furthest corner of the terminal for the special baggage desk. Tomi, Hanna and Pauli are picked again for extra inspection at the security check.

The stopover is in Frankfurt this time but it is a shorter one than on the outgoing trip. Pauli has again shot hours and hours of video and previews some of it on his laptop.

By the time we reach Helsinki airport, everyone is pretty exhausted (how tiring can sitting for miles and miles be), but at least we are back in Finland with the benefits of having steady cell phone reception so we may once again call and text anyone should we feel like it.

It is close to midnight but there is still the two-hour drive back to Tampere, with the mandatory coffee and donut break in the middle. I’m home after 3 AM, wake up for work at 7:30, and might have thought it was all just a dream if it wasn’t for all the photos and videos of the festival that start to appear on the internet over the following days.

What a magical journey! And to top everything off, two weeks later I get an email from Helena asking if we would like to return already in April for Elfia Haarzuilens. It’s in the middle of preparing to that journey one week from now that I’m typing this diary from my notes and reliving the weekend… And I’d like to add one more point to my initial list of why Elfia gig is so important to us: it’s the all-around good spirits and friendliness of everyone we met and worked with on the journey, be it the stage crew or just a random Dutchman on the street giving us directions. Expecting to have just as excellent weekend in Haarzuilens, hope to see you there!

-Niilo


It’s festival time!

Elfia

Bright sun, blue sky, green fields, and birds happily singing along, this can mean only one thing:

IT’S FESTIVAL TIME!!!

The first festival we will be attending is Elfia Haarzuilens.



This edition’s theme is “Time & Space”, so we’re looking forward to meeting astronaut André Kuipers ànd The Doctor in his TARDIS, as well as many other wonderful creatures in these magical lands! 🙂

And of course we will be meeting up with some amazing musicians! This will actually be the first time that we will see and meet the awesome Finnish band Greenrose Faire face to face. They are a group that we consider to be part of the station’s family!



But that’s not all!
There will also be some groups there that we have not yet worked with, like Accordzéâm, Unicorn, Love Street and many more. We’ll keep you posted on them. 😉

But…THERE’S EVEN MORE!!!
We have received a special dispensation from the organisations that work for artist rights in the Netherlands. We are now allowed to start broadcasting concerts for one hour every week! So that means that we will also be recording some of the shows at the festival, with the cooperation of the bands and Elfia! Exciting times!!!!

So who will we be meeting in the Kingdom of Elfia on the 23rd and 24th of April? If you see any of the CeltCasters, feel free to come and say hi, we always love a good hug! 😀


CeltCast’s ONE YEAR anniversary!

ONE YEAR
Did you miss the special anniversary show yesterday? Don’t worry! We’ve published the texts right here. Enjoy! 🙂





Yup.
That’s how -ONE YEAR AGO- CeltCast commenced broadcasting.
After many -MANY- hours of collecting, filtering, transferring and planning music, we finally pressed play.


Were you there? Did you listen in to hear those first tracks? We really had no clue how many of you would turn up, or rather tune in to listen to our selection. Of course, we had had great help from friends who helped inform the social network, or as we like to say, the community. We told people, who told people, who… well, you get the picture. 🙂

And then there was OMNIA. They helped out with our first competition (or give-away) and thereby fuelled the flames.



So, there we were: full speed ahead! Those first moments of actually being live, “in the air”, gave such a rush! Such a feeling of accomplishment, until…


It turned out, that so many of you had tuned in, that you all just crashed the server! 😀

Wow! Who would have thought!? A weird mixture of panic and euphoria held sway in my head. Luckily we managed to get CeltCast back up online in a matter of minutes. What a way to start the adventure!



And thus the party started! Our stream became robust and steady, the Facebook followers gathered, we found more outlets for the stream, like smartphone apps, and the website showed it’s first real content. Now, we had all sorts of ideas to put on there, but what-do-you-know? Our friends from Bastaard turned the game around and interviewed us before we could even do our very first report!



Then an old friend from across that big pond (namely Miles) sent us a wonderful report on FaerieCon East and pretty soon after, a continentally renowned photographer, called Kees Stravers, started sending in reports.


Kees turned out to have a facination with a very special and talented duo: Jyoti Verhoeff and Maya Fridman



Though not quite Folk, Celtic or Viking music, these ladies managed to establish a stronghold in a corner of CeltCast’s musical spectrum… Their captivating music and mesmerizing chants drew us in like hungry sailors to determined sirens.

A similarly moving musical experience followed soon after, when Arjan and I visited the Mid-Winter Fair in Archeon, a historically themed open air museum. Standing amidst a large gathering of wondering souls, who sat on the floor, Einar, known for his work at Wardruna, but these days also for his contributions to the hit-series “Vikings”, bridged the gap of centuries and took us way back in time, Using only a single instrument per song.



Travelling even further North, Kati Ran had collected new material for the then-upcoming new album of L.E.A.F. Her work made such an impression that we decided to create an extra internal platform which would enable us to focus even more on certain tracks. Hence, our “Monthly Marker” was born and the first ever was “Terveh” by L.E.A.F. Our current MM is of the now released very-same album.



Playing at L.E.A.F. that time was Philip Xander, who wanted to contribute to CeltCast by sharing his musical review of 2014. Feeling the need to share more on the developments of new albums, events and festivals, we created CC Chronicle, a feed for all relevant news.

We were expanding.

Through these couple of months, we had once again collected new music and were adding it to the stream. Thanks to Frauke, we could even expand our horizon way deep into Russia, where Random Reel invited her to celebrate their third anniversary.



Bands were also “discovering” US and started sending in their music, like Greenrose Fair from Finland and Cara from Germany did!



At CeltCast we absolutely love helping young bands spread their music across the globe, especially when they show such promise as Pyrolysis did, when they crashed Keltfest, by simply not needing a stage, but playing out on the field! We were proud to attend the release of their début album and delighted to see them play at Castlefest!



Meanwhile our team grew with Kees formally announcing his position, Lena joining in from Germany, and Iris supporting bands as our very own merch-babe. We were now at full strength, which was good timing, because the festival season had begun!

At Keltfest, we interviewed Pyrolysis and Mark van der Stelt, the man behind many festivals, including Castlefest, where this year, we were helping out our friends from Bastaard with their video-registration work. It was great fun and probably the most technologically advanced part of our work so far…

In musical terms, the most technologically advanced tracks we play are from Denmark. Like Jyoti and Maya, Euzen have conquered their own sweet spot in CeltCast’s spectrum. We simply can’t resist playing their work…




Castlefest feels like ‘home’ us. It gives us a chance to meet up with people we wouldn’t normally meet, like Kalin from Irfan, who came over, all the way from Bulgaria! We had a wonderful chat and were sò happy get our copy of their latest album “The Eternal Return”!


http://www.youtube.com/watch?v=o8S4TTtz8SA

Castlefest is also a hotspot for long-awaited album releases. And so it was too for our friends of SeeD! We had a great competition leading up to the festival. We managed to round up all the crazy pagan band members and do the draw right there on the festival terrain! It was great fun and what was even funnier, was that the lucky winner, Mrs. Bea Versluis, was walking not too far from where her name was drawn! It was the fastest prize-delivery ever!

SeeD went on to give an amazing performance for a huge crowd. Way more people than the stage was intended for, but hey… have a listen…

http://www.youtube.com/watch?v=rPPRaho2ul8

Did you know that it was Robin Dekker of SeeD who actually designed our logo? We are so very grateful for his contribution!

Oh, and did you also know, that the lady he was handfasted to at Castlefest, Tjarda, is working hard on her musical carreer?


Now, releases parties are great, but with Elvya… we actually got involved when her work was still in progress. We we got the visit the awesome Orchus studio, run by Fieke van der Hurk, where so many albums we play have been recorded… and we even gave our two cents worth, commenting on the art-work Liesbeth was creating for her BIG project. What a ride, to be part, however small, of the creative process!




And it doesn’t stop there… If anything, we learned that our view of the world of Celtic, Folk and Viking music expands further with every new band we discover, every border we cross… Like you heard Mark van der Stelt first announce through CeltCast, that he thought the time had come to cross our Southern border, we too ventured into Belgium and went to Celtic Night Geluwe.

We finally got to meet with the lovely people of EMIAN (long overdue hugs!) and it soon became clear that this scene really has no borders, no boundaries…




Now… I could go on and on, like I hope CeltCast will… but we are already way past the one hour we planned. 🙂

So time to wrap it up!

Well, this special, that is… because we truly hope that this past year was only the first of many, many others to come!

We would like to thank ALL of you, bands, artists, listeners and volunteers, that helped made this dream come true. Together, as a community, we have proven that it can be done: a radio station with “our” music, without advertisement, sharing music that deserves to be heard across the globe!

Thank you, thank you, thank you!

But now, as Arjan stated one year ago… enough with the talking. Time to get to what the station is all about: the music!



– Alex


Greenrose Faire – Feed The Flames (2015)

GF (750p)


Greenrose Faire – Feed The Flames

Several months ago we were pleasantly surprised as out of the blue two CD’s popped into the mailbox. They were by a Finnish band that we had never heard of, Greenrose Faire. A band originally formed by Tomi Hyttinen and Niilo Sirola with a background in hard rock music, they started this group with only one rule: “No electric guitars”. And for this I say: Thank you! Because even though I do appreciate the odd electric guitar riff, Greenrose Faire has created their own unique style of music, and it definitely makes me happy!
I first fell in love with their music when listening to their previous album Home Is Where The Heart Is. The clarity of the vocals, the catchy tunes, the lyrics that conjure up deep seated feelings, it combines all of that in a very well blended musical experience. But enough about their last album, we were fortunate enough to get the new one before the album release and do a review on that! For this review we took a slightly different approach. We reviewed one track at a time, and asked Greenrose Faire to supply us with some background on the tracks from their perspective.

Track 1: Too Hot To Stop

CeltCast:
Powerful and energetic from the start. This song has some very tight drum sections. There is a definite party atmosphere in the chorus. I would consider this to be a great track to end a concert with. You know, before the encore, because they are too hot to stop!

Greenrose Faire:
It’s the first track of the album and it starts the fire that will not go out. This will also be the opening song at our coming live shows, and it is to remind everyone to get on their feet, put their hands in the air, and give in to the music and stomp and dance and leave all the mundane worries aside for a while.


Track 2: Freedom

CeltCast:
An epic song, telling a story. The violin is very moving in the track, later it becomes highly energized, and a game starts between the violin and the keys. There is some serious bass in this track, I really enjoyed that! The song keeps you captivated from start to finish, over six minutes. I’m loving the vocals, same as I did their previous album.

Greenrose Faire:
I love song of epic proportions in the vein of Braveheart. How Deep Love Can Be? It also has a 3-minute violin/organ speed solo in the middle, because, why not?


Track 3: The Tavern

CeltCast:
The song starts off feeling very medieval, and I’m definitely feeling the tavern here! It slowly but steadily builds up momentum and mass, and then the party starts! It makes me want to grab a tankard of ale, and maybe a barmaid for a dance. “Here we go, here we celebrate the day!”

Greenrose Faire:
This is hats off to all the world’s taverns. When you feel that you have to go raise one or two pints to the parched lips, it is comforting to know there’s your own tavern where the staff is waiting just for you!


Track 4: Here Waiting

CeltCast:
It starts off quite laid back, and with a title like “here waiting” it definitely creates a feeling of anticipation. Sounding rather intimate, I feel a close connection with the person waiting. Varying in intensity, the song keeps the listener interested in the rest of the story throughout. I hope she found the love she was waiting for.

Greenrose Faire:
This was one of the very first songs Tomi wrote for Greenrose Faire, and now we felt it was finally time to put it on tape in the grandeur it deserves. It’s of a love story through dark times, and of waiting and longing and not knowing if you’ll ever see your love again.


Track 5: Tell You A Story

CeltCast:
The track starts off very interesting! It has a very intriguing rhythm, somewhat of a tribal feel. The bass in the drums reverberate thought-out the body, I really want to hear this track through some massive stage speakers. Even though I really noticed the drums, the rest of the instruments, as well as the vocals, are very well-balanced. A quote from the track is “share the feeling with me”. Well, to me this track feels like sitting around a fire in a cave in the mountains, with good friends, drinking, laughing and sharing stories. Listened to it a couple of times in a row.

Greenrose Faire:
This song is about a mystical place where people once gathered to tell and listen to stories. It is not an easy place to find but it’s worth the trouble. This was also written during the very first demo sessions but has went through various arrangements and styles, before settling into this minimalistic jig-style arrangement featuring bodhran player Tuuli Rantala.


GF - FTF (750p)




Track 6: Long Time Ago

CeltCast:
Nostalgia reigns supreme with this song. Maybe not the most powerful or energetic track on the album, but a good sound to take you back to older days. This track is very smooth, maybe even slippery, but Greenrose Faire keeps it on track and takes it home.

Greenrose Faire:
Long time ago an a place far away… A melancholy song of times long gone. This might be closest to Finnish schlager we’ve ever gone, and features prominently Pete’s Indian travelling harmonium to keep things interesting.


Track 7: Running Away From My Dreams

CeltCast:
This sounds like it will be amazing live with an enthusiastic crowd. It’s hard to sit still with such energy blasting from the speakers. Also, it’s these types of tracks that make me happy I don’t have any neighbours. A very danceable track, running away from dreams has never sounded like such a party.

Greenrose Faire:
This differs from all the other songs in that we did not have a change to play it together at all before hitting the studio, so it came together piece by piece in the recording phase. Therefore it’s a bit of a surprise that it turned out to be maybe the most fun of all to play live. This song definitely called for Hurdy-Gurdy, so we got Lajos Oláh to play some. The story is about a virtuous and down to earth girl who for some reason has dreams of being famous and beautiful and shallow, and abhors the idea when waking up.


Track 8: Together We’re Strong

CeltCast:
More dancing, only this time it’s more like organised Balfolk dancing. Not only is that the feel that the sound gives, but the lyrics, “take my hand, I will guide you through the night, and see, together we’re strong” certainly sound like an invitation to dance to me. The violin play in this track sounds more classical then folk to my ears, but the overall atmosphere of the song does scream “Greenrose Faire”, and it’s a testament to the versatility of the band if you ask me.

Greenrose Faire:
The text was originally that of a grimy battle song, but for some reason that did not go well with the upbeat melody so it was reworked as an ode to camaraderie. Whatever comes, together we’ll survive anything. This was as true in the old times as it is today.


Track 9: Feed The Flames

CeltCast:
The title track of the album, this song is very typical of the group, as it definitely combines the somewhat older Folky feel with many modern influences. A song with lots of body, there is never a dull moment throughout the track.

Greenrose Faire:
This is one of the few songs we had already played live before starting recording it, so we already knew it well, and it then rightly became the title song of the album as well. It sums up perfectly the themes of the album: roaring fire, loyal company and good stories. No matter how dark and cold it is, no one is left alone.


Track 10: Laulan, Luritan

CeltCast:
The final track of the album, unfortunately. But the band did save a surprise for us. For this last song they mixed it up with not only a different lead singer, but also a different language. Salla steps aside to give way to Tomi, who sings this song in Finnish rather than English. A whole other direction for the band as far as we know, one more example that Greenrose Faire will not be pinned down if they don’t want to.

Greenrose Faire:
Tomi has often been asked to sing a song, but it was not until coming up with this song and text before he agreed to. The text is in Finnish and uses a bit archaic language in places, so good luck finding out what it is the hairy guy is singing about…


After having listened to the entire album several times I can definitely say that Feed The Flames delivers a sound that we have grown to expect from Greenrose Faire, without sounding “more of the same”. The rock influences and love for acoustic folk combine to a unique style that reverberates not only through this album, but it also combines it with their previous work. The songs are long but stay interesting, the band members are skilled and versatile, and together they make up a winning formula, whatever type of song they play. It’s a style that we hope to be able to enjoy for many years to come! Choosing a favourite track from this album wasn’t very easy. Two songs competed closely, but in the end The Tavern had to give way to Tell You A Story. The interesting rhythms, the feeling it invokes of sharing a great evening with great friends, it all adds up to a marvellous song that for me captures the essence of what I feel about this band and this album.

It’s worth noting that Greenrose Faire are working their way down to the rest of Europe, with at least one Dutch show planned so far at Elfia Arcen in September. If you’re able to attend one of their shows I would highly recommend it. I know we will!

– Arjan


Greenrose Faire are:
  • Salla Rimmi – lead vocals
  • Hanna Heinonen – violin
  • Niilo Sirola – bouzouki
  • Petri Hannuksela – keyboards
  • Jari Tiittanen – bass
  • Tomi Hyttinen – drums & backing vocals



  • Greenrose Faire Give-Away!!

    Greenrose Faire
    FREE GOODIES GIVE-AWAY!!

    We have for you: not 1, but 2! signed copies of the new album by Greenrose Faire, which is yet to be released, but already in our possession! 🙂
    And to make it a proper goodie-set, they have decided to throw in a T-shirt and poster as well!

    All you have to do for your chance to win these items is share this Facebook post and comment on it, so we know you did. (When your shared post isn’t set to “public”, we won’t be able to see it.)

    Finnish folk-rock band Greenrose Faire are about to release their third album, Feed the Flames, which not unlike their previous albums, combines folk sounds and acoustic instruments with a background in rock music, creating a very typical but very pleasing personal style. But don’t just take my word for it! Win the album and you’ll be enjoying it yourself real soon!

    What was that? You have no idea what the tracks on the album are? Well hold on…
    During this competition we will release a review of a track from the album every weekday, together with a snippet of background information about that track, written by Greenrose Faire!

    So what are you waiting for? Share this post and comment on it and you might just win this great new album! 🙂








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