Tag Archives: P60

The Dolmen create their own world and take the audience on a musical adventure. Three weeks ago, on Friday 24th, the audience of P60 in Amstelveen got carried away into this magical world. Before this one-and-a-half-hour concert of the Dolmen, The Royal Spuds made an entrance for this world.

Tonight I’m Staying In, the opening song of The Royal Spuds. They might be the only one to stay in, because P60 is filled with people. Bare feet, swirly skirts and long hair with dreadlocks; that is a rough sketch of the audience. The Spuds are here to party and after the third song, the venue is quite steamy. It’s unclear whether that’s the audience or if there are any hidden smoke machines… The curtain falls and it’s time for the Dolmen.

The curtain rises and before we can see the band, we hear the first notes of Nuada. Band leader Taloch Jameson looks like he is having the time of his life. He is dancing and jumping around the stage, which has a contagious effect on the audience. Drummer Chris Jones is taking all of his energy out on the drums, dreadlocks flying around his face.

It’s time for Crimson Tears and that is clearly an audience favourite. Guitarist Josh Elliot is playing a solo and all three band members are dancing and jumping around. The rock number shifts seamlessly into an acoustic song. Josh’s guitar is accompanied by the raw voice of Taloch. Then we hear the drums. Soft at first, but slowly becoming louder and louder until the entire audience is swinging along. And just like that, the drums stop and it’s guitar only. But not for long, the bass and drums follow up quickly. They are taking the audience on a rhythmic journey, getting ready for the drop. People are living in the moment. They are in their own world. The band and the audience become one with the moment. You can hear the love with which the music is made, and you can see it, too. The Dolmen’s songs leave the audience in a trance. They are not here to dance, but to experience the music.

Towards the end, the party music comes along; Dead Cats Don’t Meow, Rebel Fairy Fling. A few conga lines swing through the concert hall and The Royal Spuds are dancing in the back. Tim Elfring, singer and percussionist at Pyrolysis, is invited by Taloch on stage. It’s the last song and he is dancing, singing and even drumming. The audience is desperate for more and an hour and a half of the Dolmen seems like no time at all. A few people continue dancing after the show is over. The trance of the Dolmen is far from over.