I perfectly remember the first time I saw Katja live. It was on April 17th, 2016, in Madrid (Spain). In our country, we aren’t very used to having neofolk and pagan folk musicians from the rest of Europe visiting our cities (luckily this is changing bit by bit), but we have been following these artists for a long time. It was after Cuélebre‘s performance, accompanied by the rest of FAUN, that we were able to enjoy her voice and her songs, and finally reach a world that we had only been able to touch through literature and the internet. Katja Moslehner‘s work with FAUN was the inspiration for many of us, who are encouraged to write music while observing the beauty that surrounds us, so it has been a pleasure to write a few lines about the new chapter of her career: solo this time, but accompanied very well by artists of international prestige.I’ll start off by talking about the album in general lines. Am Weltenrand (At the world’s border) is the first solo work by the German artist after a long career with our beloved FAUN and after numerous collaborations with other renowned artists in the scene, such as Corvus Corax, In Extremo, Santiano or Subway to Sally. Released on April 2nd, 2021, it features 12 songs through which Katja launches a personal declaration of love. In her lyrics, we find love for nature, folk tales, swans and the cultures that coexist in our world. Her songs travel from very emotional and intimate moments to joyful celebrations in which we breathe friendship and perceive the ties that unite us. Moslehner also reflects this love through music, bridging our well-known Central Europe (with some hints of the British Isles) and the Middle East. This cultural journey is present in most of Am Weltenrand‘s songs in the form of ethnic instruments and traditional metrics of their peoples. Near the end of the album, we can also hear ethnic voices that remind us of the Native American tribes and shamanic communities of Northern Europe, who keep their connection with the land and with their ancestors alive. All this united by the soft voice of the artist, who gently invites us to accompany her on this journey. The album is a smooth and pleasant work to listen to, with a graceful voice accompanied by a well studied and worked out atmosphere. It evokes the image of a feather elegantly perched on the surface of the water. It is also important to highlight the technical aspect of the album, where Darcy Proper manages to unite all the instruments in a clean way, balancing their frequencies and giving simplicity to instrumentally complex songs. Am Weltenrand is a measured, careful and polished work, as well as intimate, warm and gentle. Let’s talk about the songs on the album. The path is opened by the homonymous song ‘Am Weltenrand‘ with a great festive energy that transports us to a joyous popular dance. It truly is a folk song, easy to sing, which already displays the union between East and West that reminds us of the initiatives of other artists such as Loreena McKennitt. The German artist invites us to discover traditional musical instruments such as Wim B. Dobbrisch’s shawm (which in the song reminds us of the hurdy-gurdy dog) or Valentina Bellanova’s ney (the oldest wind instrument), both originally from the Middle East. Katja celebrates the union between cultures, in this case using a traditional Bulgarian melody called ‘Sharena Gaida‘.