Tag Archives: EMIAN

Monthly Marker July 2016: Emian

Preview Cover: Emian-Khymeia

A NEW MONTHLY MARKER…

And actually one that hasn’t even been officially released yet! Our new Monthly Marker is Chêne Blanc, by the lovely Emian. This song features on their upcoming album Khymeia, to be released in a few weeks.

To the ear, this song is a celebration of everything that is good and amazing about Paganfolk of today, and the “Pagan” is accented by a very famous chant, originally written by Zsuzsanna Budapest, incorporated seamlessly into the track.

You can find Emian here:

CeltCast’s ONE YEAR anniversary!

ONE YEAR
Did you miss the special anniversary show yesterday? Don’t worry! We’ve published the texts right here. Enjoy! 🙂





Yup.
That’s how -ONE YEAR AGO- CeltCast commenced broadcasting.
After many -MANY- hours of collecting, filtering, transferring and planning music, we finally pressed play.


Were you there? Did you listen in to hear those first tracks? We really had no clue how many of you would turn up, or rather tune in to listen to our selection. Of course, we had had great help from friends who helped inform the social network, or as we like to say, the community. We told people, who told people, who… well, you get the picture. 🙂

And then there was OMNIA. They helped out with our first competition (or give-away) and thereby fuelled the flames.



So, there we were: full speed ahead! Those first moments of actually being live, “in the air”, gave such a rush! Such a feeling of accomplishment, until…


It turned out, that so many of you had tuned in, that you all just crashed the server! 😀

Wow! Who would have thought!? A weird mixture of panic and euphoria held sway in my head. Luckily we managed to get CeltCast back up online in a matter of minutes. What a way to start the adventure!



And thus the party started! Our stream became robust and steady, the Facebook followers gathered, we found more outlets for the stream, like smartphone apps, and the website showed it’s first real content. Now, we had all sorts of ideas to put on there, but what-do-you-know? Our friends from Bastaard turned the game around and interviewed us before we could even do our very first report!



Then an old friend from across that big pond (namely Miles) sent us a wonderful report on FaerieCon East and pretty soon after, a continentally renowned photographer, called Kees Stravers, started sending in reports.


Kees turned out to have a facination with a very special and talented duo: Jyoti Verhoeff and Maya Fridman



Though not quite Folk, Celtic or Viking music, these ladies managed to establish a stronghold in a corner of CeltCast’s musical spectrum… Their captivating music and mesmerizing chants drew us in like hungry sailors to determined sirens.

A similarly moving musical experience followed soon after, when Arjan and I visited the Mid-Winter Fair in Archeon, a historically themed open air museum. Standing amidst a large gathering of wondering souls, who sat on the floor, Einar, known for his work at Wardruna, but these days also for his contributions to the hit-series “Vikings”, bridged the gap of centuries and took us way back in time, Using only a single instrument per song.



Travelling even further North, Kati Ran had collected new material for the then-upcoming new album of L.E.A.F. Her work made such an impression that we decided to create an extra internal platform which would enable us to focus even more on certain tracks. Hence, our “Monthly Marker” was born and the first ever was “Terveh” by L.E.A.F. Our current MM is of the now released very-same album.



Playing at L.E.A.F. that time was Philip Xander, who wanted to contribute to CeltCast by sharing his musical review of 2014. Feeling the need to share more on the developments of new albums, events and festivals, we created CC Chronicle, a feed for all relevant news.

We were expanding.

Through these couple of months, we had once again collected new music and were adding it to the stream. Thanks to Frauke, we could even expand our horizon way deep into Russia, where Random Reel invited her to celebrate their third anniversary.



Bands were also “discovering” US and started sending in their music, like Greenrose Fair from Finland and Cara from Germany did!



At CeltCast we absolutely love helping young bands spread their music across the globe, especially when they show such promise as Pyrolysis did, when they crashed Keltfest, by simply not needing a stage, but playing out on the field! We were proud to attend the release of their début album and delighted to see them play at Castlefest!



Meanwhile our team grew with Kees formally announcing his position, Lena joining in from Germany, and Iris supporting bands as our very own merch-babe. We were now at full strength, which was good timing, because the festival season had begun!

At Keltfest, we interviewed Pyrolysis and Mark van der Stelt, the man behind many festivals, including Castlefest, where this year, we were helping out our friends from Bastaard with their video-registration work. It was great fun and probably the most technologically advanced part of our work so far…

In musical terms, the most technologically advanced tracks we play are from Denmark. Like Jyoti and Maya, Euzen have conquered their own sweet spot in CeltCast’s spectrum. We simply can’t resist playing their work…




Castlefest feels like ‘home’ us. It gives us a chance to meet up with people we wouldn’t normally meet, like Kalin from Irfan, who came over, all the way from Bulgaria! We had a wonderful chat and were sò happy get our copy of their latest album “The Eternal Return”!


http://www.youtube.com/watch?v=o8S4TTtz8SA

Castlefest is also a hotspot for long-awaited album releases. And so it was too for our friends of SeeD! We had a great competition leading up to the festival. We managed to round up all the crazy pagan band members and do the draw right there on the festival terrain! It was great fun and what was even funnier, was that the lucky winner, Mrs. Bea Versluis, was walking not too far from where her name was drawn! It was the fastest prize-delivery ever!

SeeD went on to give an amazing performance for a huge crowd. Way more people than the stage was intended for, but hey… have a listen…

http://www.youtube.com/watch?v=rPPRaho2ul8

Did you know that it was Robin Dekker of SeeD who actually designed our logo? We are so very grateful for his contribution!

Oh, and did you also know, that the lady he was handfasted to at Castlefest, Tjarda, is working hard on her musical carreer?


Now, releases parties are great, but with Elvya… we actually got involved when her work was still in progress. We we got the visit the awesome Orchus studio, run by Fieke van der Hurk, where so many albums we play have been recorded… and we even gave our two cents worth, commenting on the art-work Liesbeth was creating for her BIG project. What a ride, to be part, however small, of the creative process!




And it doesn’t stop there… If anything, we learned that our view of the world of Celtic, Folk and Viking music expands further with every new band we discover, every border we cross… Like you heard Mark van der Stelt first announce through CeltCast, that he thought the time had come to cross our Southern border, we too ventured into Belgium and went to Celtic Night Geluwe.

We finally got to meet with the lovely people of EMIAN (long overdue hugs!) and it soon became clear that this scene really has no borders, no boundaries…




Now… I could go on and on, like I hope CeltCast will… but we are already way past the one hour we planned. 🙂

So time to wrap it up!

Well, this special, that is… because we truly hope that this past year was only the first of many, many others to come!

We would like to thank ALL of you, bands, artists, listeners and volunteers, that helped made this dream come true. Together, as a community, we have proven that it can be done: a radio station with “our” music, without advertisement, sharing music that deserves to be heard across the globe!

Thank you, thank you, thank you!

But now, as Arjan stated one year ago… enough with the talking. Time to get to what the station is all about: the music!



– Alex


Review ‘EMIAN – AcquaTerra’ online!

Cover (750p) IT’S THURSDAY!
And that means it is time for another Thursday Theatre, as promised!

This time our light shines on an amazing Italian Paganfolk band that is gaining a lot of momentum throughout Europe. We’re talking of course about EMIAN, the four person band that last weekend even came as far north as Belgium, when they played at the fantastic Celtic Night Geluwe.

We have for you a review of their first album, AcquaTerra, which was released in 2014. Lots of harp, lots of good honest musical excellence, and an obvious Omnia influence, making it especially interesting for fans of that particular Dutch pagan band.

Read the entire review here!


EMIAN – AcquaTerra (2014)

Cover (750p)


This time our light shines on an amazing Italian Paganfolk band that is gaining a lot of momentum throughout Europe. We’re talking of course about EMIAN, the four person band that last weekend even came as far north as Belgium, when they played at the fantastic Celtic Night Geluwe.

We have for you a review of their first album, AcquaTerra, which was released in 2014. Lots of harp, lots of good honest musical excellence, and an obvious Omnia influence, making it especially interesting for fans of that particular Dutch pagan band.

EMIAN is an Italian band, consisting of four people, Aianna Egan, Emain Druma, Rohan and Máirtín Killian, that have lost their hearts to Irish and Celtic music. With their first album “Acquaterra” (2014) they have left their mark on the European folk scene, and their musical prowess is also shown by the many, many concerts they play throughout the year!


Track 1: A Sailor’s Tale

Right off the bat the sounds of the harp take you into a dream-world, and as the song progresses the harp starts to play with the strings and you just know that this will be a “sit back and relax” type of album. The sounds of the sea, the creaking of ships decks, the ships bell keeping time, they all create an atmosphere well befitting the music, and the warm vocals and soft harmonies only add to the feeling. A Sailor’s Tale is a tale of love lost, and how could a sailor’s tale not be? With a harp that is very reminiscent of ‘Grunde Lunden’, at least in the beginning, and vocals that have the same style and feeling as ‘The Bold Fenian Men’, it is immediately clear that EMIAN is at the very least inspired by Omnia, and that they will certainly share a fan-base.


Track 2: The Last King’s March

The song starts off like something you might have heard in an old medieval castle, gentle, with a lot of clarity. But then, after the horn sounds to signal the march, the mood changes and the same melody now becomes part of something much more powerful. Anna certainly knows how to play the harp and in this song she takes the instrument all the way! There are many different levels of intensity, many different layers throughout the song, and they all flow together naturally like a story.




Track 3: Haughs of Cromdale

A pure Irish traditional about the Battle of Cromdale. If it weren’t for the clear Italian accent in the singing one would never know that this song wasn’t recorded by a very experienced Irish band. Very well done, a pleasure to hear!


Track 4: Butterfly

Butterfly is another traditional, but an instrumental one, and with a nice spin to it. Closing my eyes I can imagine children playing in the sun, dancing around to these wonderful tunes. All is good when listening to such a beautiful song!


Track 5: Mother’s Breath

It’s hard to describe how this song starts. Maybe one could say it starts with the sounds of chaos from which everything forms. But when the chaos subsides and the main melody starts we hear some more very clear and obvious Omnia influences! It is amazing to hear how EMIAN has taken this song and made it their own, with lyrics and musical variations. A song fit for Mother Earth!




Track 6: Dúlamán

Dúlamán has been played and recorded by many a band and artist, and everyone always gives it their own spin. EMIAN’s version is a very rhythmic and powerful one, almost making it sound like a war-song instead of a song about gathering seaweed and about love. The power in the percussion does make your heart strong, and when the song is finished it leaves you wanting more.


Track 7: Dance in Circle

The sharp harp sounds that this song starts with quickly snap you out of that dark deep power, and when the melody starts you immediately know why this song is called Dance in Circle. It is a very danceable track and I can certainly see large circle dancing, preferably around a large fire. Again an epic song, telling many tales through music alone, this song needs to be shared with as many friends as possible! Let’s all dance in the circle until the sun rises again!


Track 8: Echu Eo Ar Mare

Echu Eo Ar Mare, a Breton hanter dro, is the last song on this album unfortunately. I would have liked for this album to have continued, but I know there is only so much space on a disc. This song is a perfect ending though, as it is a perfect example of a song that can be enjoyed either just sitting on the sofa listening, dancing through your home, or dancing with a hundred visitors on a festival. It leaves us with great promises for the future!


EMIAN (750p)

A quick look at the album-cover immediately shows what kind of band this is. They are Celtic oriented, and they are Pagan, and they have no intention of hiding it. The stag, the leaves, the triskele and triquetras, they all leave no doubt. The style of the artwork actually reminds a lot of the album cover from Damh the Bard’s ‘Antlered Crown and Standing Stone’. I love it, as it sure shows you what to expect!

Overall the album showed a lot of diversity while still maintaining unity. The traditionals are well played, keeping their character intact while at the same time spinning them in a way that it turns them into real EMIAN songs. ‘The Last King’s March’, their own creation, is en epic in and of itself, and I think I would choose that song as my favourite song of the album. We may have a new Monthly Marker here 😉

Hopefully we won’t have to wait too long before they start playing all the major festivals in Europe, and before they release another album, because I’m sure we haven’t seen the last of EMIAN yet!

– Arjan


Photo taken by: Claudio Del Piano








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