Tag Archives: Dominique

Harmony Glen – Live at Elfia (2018)



I love live albums. They capture that moment when the creative spirit of the musician meets the energy of the crowd. And when that connection is there, a band will feed off the energy to give their very best. It does not always happen, but every time when that connection ìs there it gives me goosebumps. I’ve been to several concerts where that electric energy was there between the band and us, the crowd and I remember them to this day. To catch something like that on a CD is just magic! When I heard that Harmony Glen was releasing a second live CD/DVD, knowing the cool positive energy they bring to the stage, and hearing that it was recorded at Elfia one of the bigger fantasy festivals in Holland, I was really looking forward to this CD. Did it live up to my expectations? For a big part it did, a very big part. But I’ll come to that later.

Harmony Glen has become a household name at medieval- and fantasy festivals all over Europe and even North America. Dressed as a steampunk band their shows are [quote]: “An Irish folk extravaganza!”[unquote] and as their biography is right on the nose, I will quote it a bit more: [quote]: “Harmony Glen is a Dutch feelgood-folk group founded in 2005. The music is based on Irish-Celtic folk but regularly sounds from all over the world get woven in. The goal of the band is to stand out not only through their music (which is a mix of traditional and original songs and tunes) but through their stage presence as well. Harmony Glen’s shows have been described as ‘a powerhouse of Folk’ and people who attend can’t seem to stand still as the energy is always on a maximal level.”[unquote]

Until now they recorded 6 studio and one live album called Live In Bremen. So Live At Elfia is their second live album and already their 8th CD overall. Quite an impressive discography. Most of the songs on Live At Elfia are taken from their latest studio album Start Living Today, so people already owning Live In Bremen don’t need to worry, there are just two songs that appear on both CDs.

The artwork of Live At Elfia looks stunning. That alone makes buying this album worth all its money. Niels Duindam did a wonderful job on it. The Liner notes accompanying the songs are something special. I’m not gonna give anything away but they are seriously hilarious. And with Hans-Heinrich Breuer of Heiners art they got themselves a quality photographer who made absolutely stunning pictures during the show. They not only grace the CD/DVD artwork, but we were also allowed to use them in this review. So a big thanks to Hans-Heinrich. But reviews are supposed to be about music, not photographers, so let’s put that silver disc in the player.

After the intro tape, that is sadly recorded a somewhat dull so it kinda loses its impact, Harmony Glen kicks off with Dave’s Lament which flows over in Slieve Galleon Breas. Dave’s Lament is a really nice instrumental piece. It is carried by a catchy melody played by the flute and violin. Driving bass lines and strong drums give the song some ‘oomph’, making it a really cheerful dance song, especially when halfway through the song the band picks up speed, turning it into a lovely Irish jig.

This is a major trademark of Harmony Glen. Take a simple but really catchy violin or flute tune, get the rhythm section under it so it becomes a lovely dance song, play variations on the first theme, maybe mix in a second theme and let the song pick up speed halfway through. Almost all instrumental songs on Live At Elfia are build up like that and quite a few vocal ones as well. The Phoenix, for instance, is built around a nice violin line by Mike Bruinsma, with Dominique Bentvelsen putting some really cool bass lines under it.

Wasting Time starts with a laid back violin melody by Mike, quickly joined by Gilian Hettinga on flute. Just crack open a can of beer, lean back and let yourself be drifted away into a lazy summers evening. Mary And Thyme again starts with a lazy summer festival tune, this time by Gilian and now it is Sjoerd van Ravenzwaaij on banjo who leads the band into a much faster pace. Just listen to that crowd join in halfway through the song. Easily one of my favourite songs on this CD.

Lazy Sunday also has that same build, this time I can pick up on the drums of Niels Duindam. He really adds that ‘Oomph’ I was talking about. All of these songs just ooze out a laid back summer festival feel. Just try playing them one after another, it’s impossible to sit still.

A different kind of instrumental song is Stardazs. Mike Bruinsma gets his chance to shine with a lovely delicate violin melody, only to be interrupted by Dominique Bentvelsen. Probably he got a bit bored and therefore throws in his best Darth Vader impression on his double bass. Mike is not flustered and keeps up his tender violin lines… ending it… …with a bit of the Star Wars theme! Stardazs keeps being like this, moving violin solo meets Star Wars theme meets eastern European uptempo gypsy tune. Halfway through the song the band really starts goofing around, making me wish I was reviewing the DVD instead of the CD, but just as easily they pick up the frantic pace of the gypsy solo again. Without dropping a beat! You can hear years of practise and playing together right there.

As I said earlier Dave’s Lament flows into Slieve Galleon Breas. We hear the second trademark of Harmony Glen, Sjoerd van Ravenzwaaij. Together with Dominique Bentvelsen he is the positive vibe of the band personified. One minute he is a clown playing with the audience, the next a gifted singer with a warm powerful voice. A pleasure to listen to. On Slieve Galleon Breas Sjoerd unleashes all this positive energy. He is clearly ready to make it the best gig ever. Maybe he has a bit too much energy actually. On stage Sjoerd uses a headphone as a mic, and the microphone is a wee bit to close to his mouth to handle all this energy without a slight distortion. A problem that keeps popping up during the whole CD. Especially with the announcements and cries during the songs to get the crowd going.

Putting that point aside, Sjoerd really has a good voice. It’s warm and powerful with just the right amount of sandpaper in it to make the Irish folk sparkle. Two of my favourite songs on the album are sung by him. Someone To Dance With and Caledonia are beautiful ballads. You can hear Sjoerds warm voice in all its glory. You can also hear how nicely Nienke Bijkers soprano blends in with his voice. In a ballad those two really work well together.

This also brings me to an aspect of Live at Elfia where unfortunately I have to be honest: the female lead vocals. Nienke isn’t a powerhouse soprano. Her voice is more of the fragile angelic kind. On the studio albums she weaves delicate melody lines together that are like intricate lace. It reminds me a lot of Joan Baez’s voice. (For younger readers who don’t know her, check out the old Woodstock albums.) When she takes the lead on stage in The Golden Vanity or Cecile En Lazare I keep asking myself if a brittle voice like hers really works together with the uptempo powerfolk that the band unleashes on stage. I personally don’t think the tempo and the power really work for her voice, but listen to those songs and judge for yourself. The issue I’m driving at starts later on in the CD with the songs Hold On and Black And White. I don’t know if Nienke was out of breath, could not hear herself that well or was losing some of her technique trying to keep up vocally with the power of the band behind her, but especially in the highest parts she sounds shaky, uncertain and at times she really misses the higher notes. It’s a shame really, because straight after Hold On Nienke starts Rest My Little Son singing a capella and suddenly she sounds like the vocalist we hear on the studio albums. Her voice becomes fuller, she regains her technique and is hitting every high note on the head. It makes me wonder how a live album in a more balladesque setting would work for her. Listening to the studio albums I think it would suit her voice much better.

But that’s my only point of critique with Live At Elfia. The band finishes strong with the crowd favourite Engel, a Rammstein cover. I’m still amazed at how much power an ACOUSTIC folk band can produce. It really sounds as heavy as Rammstein themselves. Impressive! Commander Keen is the last of the catchy instrumental folk songs, full speed from beginning to end this time with Gilian starting it on pipes. The ballad Caledonia is a beautiful ending to a CD which is overall very enjoyable. Harmony Glen is the ultimate feel-good festival band and they prove it here.

Now the question is: “Would I buy the CD myself?” Honestly? Knowing that 50% of the fun of a Harmony Glen show is Dominique, Sjoerd and Mike goofing around with either the crowd or each other, I would straight away go for the DVD. Entertainment guaranteed and you get a free CD extra! 🙂





– Cliff

– Pictures courtesy of Hans-Heinrich Breuer of Heiners art


Harmony Glen – The Cure For Anything (2014)

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Harmony Glen is a group that has been playing since 2005 and their experience shows! A Dutch band with their roots firmly planted in a base of Irish folk, they have no problem mixing it with other styles and genres, and making it sound awesome. But to prove their excellence in the Irish scene, they are the only Dutch band ever to have been invited to Fleadh Ceoil (2013), a large international festival and competition for Irish Folk musicians.
This year they have released their fifth album, The Cure For Anything. The band describe it as showing their nine year journey to find their musical power and identity. If that is the case it certainly sounds like it has been an interesting journey.

The first track is called Abu Dhabi. It immediately shows that combination of musical styles, as it is definitely Irish, but with lots of Bluegrass sprinkled on top. A combination that makes sense, as modern day Irish folk and Bluegrass share the same origin. But that is not all there is to this song. If you are a visual thinker, like I am, it is very easy to see a story unfold during this song. Chasing someone down the streets and narrow alleys of Abu Dhabi isn’t a very far fetched idea and that adds just a little middle eastern touch to it all.

Next up is the song Harmony Glen. Where the previous track conjured up images of a fast pursuit through a busy city, this song makes me think of a camp-fire on a beach, between an forest and a lake, dancing and singing and sharing this song with friends. During this song they sing “Harmony Glen is forever our love”. Well, I can’t speak for anyone but myself, but I certainly love it!

The third track of the album picks up momentum again, as Lay Down Rosie blasts through the speakers. The vocal in this song is a bit more raw, which fits perfectly with the overall sound. The flute play adds just that touch of light that makes this song more cheerful.

When listening to The Charlatans Barnacle it’s hard to choose between taking a sip of good old moonshine or some fine Irish whiskey. But either way, the song is a feast for the ears and it feels like a party! The song seamlessly moves into…

Runaway Maid, again a different musical style, but very fitting. A song with very soothing vocals that allows everybody that jumped on the dance-floor during the previous track to pair up and do a little one on one dancing.

Pleasant and Delightful is very much that, pleasant and delightful to hear. A storytelling, acapella sung, accompanied by sound of the sea shore, it is very easy to close your eyes, envision this song being sung in a harbor pub and let your emotions run free.

Flight of the Mimosa is one of those rare songs where there is a lot of energy from the start, yet is does feel like it’s continually building up. It gives a very “Irish Traditional” feel, but it incorporates a middle eastern atmosphere without any problem.

Rest My Little Son is a song from a mother to her sleeping son. It starts off very touching and emotional, but as the song progresses the music becomes very powerful. It speaks of the darker sides of life, but also that we can make a difference. This song went straight through my ears into my soul. I would easily call it inspiring.

I can imagine Another Summer’s Morning being played fifty or a hundred years from now as a “traditional”. To me it has all the elements of the great songs of the past and I can envision versions of this song being played by a duo in a pub or an orchestra on a massive stage. The harmony towards the end of the song is amazing and invites you to sing along at the top of your lungs.

Breath of Pale calmly follows, bringing an overwhelmingly warm feeling. Definitely a song to enjoy with your eyes closed, letting your mind wander.

After a deep song like Breath of Pale, hang on to your boots as The Homecoming makes you want to jump up and dance again! The essence of the song is “No matter how far I am, don’t come to find me, I will come home one day”. Though the song speaks of past experiences, and correcting them, it’s great to shout along to when heading home from work, or especially when heading to or from a festival!

Midwinter’s night starts off feeling very medieval. The sound is very different from that of the rest of the album. However, if you only heard this song you would think that this is the type of music Harmony Glen normally plays, as it sounds very natural. Halfway through the song it seamlessly moves into other styles, more modern, then somewhat Eastern European, and then back to the medieval feel. An awesome display of musicality!

Then, as if to remind everyone, the album turns back to the Irish roots with Thelonious’ Fancy. A fast reel, I don’t know if there is anyone that is capable of sitting still during a song like this. Feet of flames anyone?!



Harmony Glen on this performance: “This is us playing Thelonious’ Fancy at the Senior Céili Band Competition, Fleadh Cheoil 2013 in Derry. It was amazing how those 2500 people couldn’t resist and started clapping and cheering 🙂 We had so much fun!”

After Darkness comes the sun. Well, there is no darkness on this album, but there sure is a lot of sunshine! The song is very uplifting and it is very fitting to have this as last track on the album, because you’ll keep smiling for hours after this. Whatever happens, after darkness comes the sun!


On the website of the band they speak of nine years of ups and downs. Well, the only ups and downs on this album are in the form of energy. The variation of the tracks is amazing and together they deliver a very balanced album. The quality of the tracks starts off very high and remains at that extraordinary level from start to finish, no downs there. I do wonder however. Even though Irish folk is the basis on which Bluegrass and ultimately all Country music is built, these two styles have their own fan-base. Does the band appeal more to one than the other? Or perhaps they can bring both together. Either way, I would think that Harmony Glen is due for a massive North American tour, as this is the home of Country music and of course home base for a huge group of Irish descendants as well as other Folk-lovers. So if you’re in North America, contact your local radio stations and events organizers!! Let’s help a great band get a great tour!

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Although all of the tracks have their appeal and their own beauty, picking a favourite track was actually rather easy. I absolutely love how Rest My Little Son conveys the love of a mother and how it touched my heart. I’ve said it before and I’ll say it again, the song is just inspiring!

This album plays a lot in my house or car, especially whenever I need a shot of happy energy. I would suggest that everyone buys the CD. If not for the amazing music, then to help you lift your spirits whenever you need it!

– Arjan








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