Tag Archives: Christopher Juul

Monthly Marker May 2020: Myrkur

Myrkur - Folkesange (2020)

The Power of the Harp

New month, new monthly marker!

Many songs tell us about the magical beauty of harp play and the powers a skilled player can wield under the right circumstances. Previously I was captured myself by Kati Rán’s “Harpa Toner” which upon investigation turned out to be one of many renditions of the same tale that has been traveling throughout Europe, shapeshifting and scope-creeping, evolving in time to well-known versions like Binnorie, The Twa Sisters, The Bonnie Swans and Harp of Death.

Now, once more I am mesmerized by a harp-related song (or should I say ‘sange’? ) and this time as well, I simply had to know what was behind the softly sang lyrics brought across by the tempting voice of none other than Amalie Bruun, a.k.a. Myrkur.

Though mostly known for her Metal albums, Amalie has been diving deeper and deeper into the richness of Scandinavian traditional songs and clearly she came up with some pure Danish gold. As early as January of 2018, some of you may have been lucky enough to witness performances of Myrkur having struck new ground, touring together with other great artists of our scene, like Christopher Juul (Heilung, Euzen) and… you guessed it: Kati Rán. Fortunately her collaboration with Christopher did not end when the tour did. In fact, she stepped into his famous Lava Studios and recently proudly released her latest album Folkesange.

This work of art is a 100% match with our station’s format, which means we will be able to play each individual track and what’s more: we have chosen Harpens Kraft as our new Monthly Marker, meaning we will be playing it 5 to 6 times a day for the month of May!

You can find Myrkur here:

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Helisir – Spin (2017)


The latest (and last) Helisir CD ‘SPIN’ came out this September and it’s a gem!

But first let’s introduce Helisir a bit more.

Helisir is the musical project and brainchild of Jacqueline Stempher. It started out as an idea for a book based around the fictive Nordic land Helisir, a Nordic equivalent of Avalon where the old Gods in ancient times met.

Over time their stories were set into music by Jacqueline and they ended up on the first Helisir album ‘Ravn’. It was produced by Jacqueline herself and could best be described as Nordic influenced ambient Pagan music. All instruments recorded were played by Jacqueline herself.

In 2016, a mini CD came out called ‘Sårbare’. It was recorded at the Dear World studio by Fieke van der Hurk and featured Jacqueline on harp and vocals in an all acoustic setting.

Now the third album ‘SPIN’ is finally here to conclude the Helisir story.

This time Jacqueline visited the Lava Studios in Copenhagen to have Christopher Juul record ‘SPIN’. The album picks up on the sound of ‘Ravn’ and is musically best described as a crossover between Dido and Euzen. (So not the voice/harp sound we have come to know through her ‘live ploink‘ streaming concerts on Facebook or the mini CD ‘Sårbare’.)


Jacqueline’s last Facebook livestream from the Netherlands, just before moving up North.


From the first seconds of ‘The Tide’ it’s clear this album is all about Jacqueline’s beautiful voice. A crossover between the laid back, fragile way of singing of Dido, the strong sound of Anneke van Giersbergen (ex-The Gathering, Ayreon) and a touch of Sara Weeda (SeeD, ANÚNA).

In her lyrics Jacqueline stayed close to her heart, making this her most personal album. She has put the feelings and fears she went through the past years in beautiful musical poems, partly in English, but also some in Dutch. Listen to ‘Done’, ‘Lighthouse’, ‘Ashes’ or the Dutch title song ‘Spin’ and you’ll hear how personal her lyrics have become.

Jacqueline composed all the music and Christopher Juul arranged all the songs and took care of the instruments, so Jacqueline could focus on the vocals. He managed to make the music work as a supportive partner to Jacqueline’s voice, enhancing the lyrics instead of the instruments taking over. Those who love Euzen will recognize his style with those subtle touches making the music interesting and ‘SPIN’ a CD well worth buying!


I am now left with two wishes:

1. That somewhere in the future, Jacqueline will team up again with Christopher to make more music. It would be such a shame if that would never happen again.

and

2. That Castlefest will book Euzen for their Winter Edition 2017 and they will ask them to support Jacqueline Stempher there on stage as well, so we can hear her songs live in the way they were intended to sound. Mark… Jacqueline… Christopher… pretty please??? 🙂


– Cliff


– Live concert pictures courtesy of:

Kees Stravers
https://www.flickr.com/photos/case_s








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