Tag Archives: CeltCast

Katja Moslehner – Am Weltenrand (2021)
Review & Give-Away

Katja review & give-away !!

Last month, Katja’s first solo album ‘Am Weltenrand’ was released, featuring a dozen multi-faceted tracks and many guest musicians. And to tell you more about the album, our new-joining crew member Dani (yes, from the Spanish Folk band Vael) has written a beautiful review we would like you to share across the globe. Not only because we feel the world should hear Katja’s music, but also because she has made two copies available for us to give away to you! So, please read the review, and publicly share our original post on Facebook before midnight CET on Saturday the 12th of June, and we will draw the lucky winners on the day after!

Katja Moslehner – Am Weltenrand (2021)

Daily Disc
The Guinness Brothers – Live Craic (2019)

Since I heard this band play, I’m dreaming of a big Castlefest party where the whole festival is jumping and dancing!!!!! I couldn’t sit still on my chair listening to this album and the singles! It is one big party surprise! I won’t give away the details, because that would be considered ‘spoiling’. Just listen, dance, and feel that festival vibe coming back to you!

I can reveal a bit more on the origins of The Guinness Brothers though. Two men came together to form this band ass you can read on their website: ‘Colm Kelly, an Irish man living in the south of Portugal, and Rodrigo Carreira, a Portuguese man who is often mistaken for an Irish man himself, combine vocal harmonies with an acoustic guitar and a mandolin to bring you everything from Irish music to rock, pop, reggae and even the latest hits! They found that adding comedy to music, not just Irish, is tantamount to Craic. And follow the formula ever since.
Don’t miss this album, it’s really fun! I can’t pick my favourite songs, they’re all very effervescent!

cheerful greetings, Ilona CeltCast
You can find The Guinness Brothers on:
Their website: the-guinness-brothers.business.site
Facebook: TheGuinnessBrothers
Instagram: theguinnessbrothersofficial
Spotify: The Guinness Brothers
YouTube: TheGuinnessBrothers

Daily Disc
Shane Ó Fearghail – Born from Tradition (2020)

At first, we received this beautiful album in digital form, but after I told Shane in a chat how much I loved his work, I didn’t have to wait long before the hard copies of two albums of his albums – Born From Tradition (2020) and They Might See Dolphins (2016) – arrived at CeltCast HQ. And yes, both of them are wonderful!

Shane is an Irish singer-songwriter who now lives in Vienna. His latest album Born From Tradition gives you the feel of the summer sun on your skin…, warm and soothing. It features songs about love, roots and musings about life. Both new and traditional folk songs are on it, sung either in English or Irish. The songs are presented in a modern style of folk music, which is quite refreshing! The booklet, consisting of eight pages, contains the lyrics of the tracks which is something we always appreciate. The album was recorded at Craic Haus Studios 32 and the artwork was designed by Sabine Mann. My favourite songs on this album are: Trasna Na gCianta (Across the Ages) and Na Bi Buartha (Don’t be worried).

Musical greeting Ilona CeltCast
You can find Shane on:
His website: shaneofearghail.com
Facebook: shaneofearghailmusic
Spotify: Shane Ó Fearghail
Bandcamp: shaneofearghail
YouTube: Shane Ó Fearghail

Daily Disc
BmB – Ge vindt wel een taal (2021)

A couple of months ago we received the brand new album of the balfolk band BmB called Ge vindt wel een taal (thy will find a language). Because the release date is today, we had to keep the music on this album to ourselves at first. That didn’t stop us listening though and from the moment we started listening, we fell in love with this beautiful, narrative, danceable, balfolk album! And that’s why we are going to play every song of this lovely album on CeltCast Radio. There are instrumental songs, songs sung in Dutch/Flemish, one in French and one in English (together with Niki van der Schuren).

BmB will be a new band for most of you so this is how they introduced themselves:
– ‘We are BmB, three guys who love folk. We bring songs to make you bounce and swoon, sway, laugh and cry.
This band is formed by Luc Plompen (vocals, guitar), Wouter Kuyper (bagpipes, flutes, chalumeau) and Niek van Uden-Luteijn (accordion). They met each other through the international (bal)folk scene. These guys are already famous in the folk scene in The Netherlands and Belgium, and that’s not without reason! So we are sure the rest of the folk world will follow soon!
You can find BmB on:
Their website: http://www.bmbfolk.nl
Facebook: BmBfolk
Spotify: BmB

Trobar de Morte – The Book Of Shadows (2020)



In these odd times we are living in, it is good to know that some things just don’t change. The first spring sun still heralds the start of the year, the morning chorus of birds still greets us when we wake up, the evening fire still warms our bones and the sound of Trobar de Morte still soothes our souls, no matter if you put on their first record Nocturnal Dance Of The Dragonfly or their latest one called The Book Of Shadows. It feels really reassuring to hear that typical Trobar de Morte sound ringing in my headphones. Those layered, slightly melancholic vocals of lady Morte, those calming, wall-to-wall ambient pagan folk melodies, those mythical lyrics filling the room with a peaceful ease that only this Spanish band has mastered. Once inspired by Dead Can Dance, Trobar de Morte are now a pagan folk phenomenon in their own right, with their very own unique sound and I love them for that. The intro Introilus Libris Tenebris, and songs like Mandragora Autumnalis, Melusine Cantus or Plenilunio are all a joy of recognition. Trobar de Morte have a new album out and after just a few notes I feel right at home. It seems nothing has changed at all, with an emphasis on seems!
But, as always, I’m getting way ahead of myself now. So let’s ‘open’ The Book of Shadows and dive into the unique world of Trobar de Morte once more.
the Intro, Introitus Libris Tenebris, is all you’ve come to expect from Trobar de Morte. Impressive ambient pagan folk soundscapes that could well work as a film score for any self-respecting epic fantasy movie. Be it Lord of the Rings, Elfquest, Journey to the Center of the Earth, or the Dark Crystal, they could all do with a touch of Trobar de Morte magic. Come to think of it, this intro indeed feels like you are gliding into something deep and mysterious. Into a portal deep down into the center of the earth. As if you walk down into a dark cave, torches casting long shadows over the crystal walls, the echoes of your footsteps ringing loudly through your ears, betraying every gentle step you take. The silence loud and eerie, the atmosphere tense as if you could cut it with a knife. At the end of it, a cave, beautiful, grand, torch-lit, with stalactites in all shapes and colours. The whole sight of it is breathtaking. Unearthly. Elflike. And in the middle of it, floating above an enchanted lake – its water reflecting the orange colour of the torches burning in all corners of this fast cavern- you’ll find the Book of Shadows hidden deep inside this secret entrance to Middle Earth. (This is what happens when your imagination meets Trobar’s music, it will drift off to wherever it wants to lead you and I happily will let it.)

The second song, Sacrifice, continues with this same enchanting feel. At the start of the song, the sound of water droplets seems to follow you closely as whispered voices lure you deeper into this mysterious world. The song itself seems to be Middle Eastern (Persian perhaps), and has a warm feel to it. The layered vocals, as always, are impressive. The music, as always, feels like a soothing blanket that you instantly want to snuggle in. The dramatic arrangements of the music, as always, seem to lure you away into those dark shadows of comfort only Lady Morte can provide. Yes, this is Trobar at is very, very best. A solid musical mix of Cesair and Dead Can Dance, and I am preparing myself for a lovely journey into familiar musical grounds.



Well, the musical journey is indeed lovely, but not into those familiar grounds I was expecting. On the contrary! The next song, The Unquiet Grave sounds way more open, much more Celtic than I am used from Trobar de Morte. It is far more towards Cesair’s epic folk sound than the usual carpet-like Dead Can Dance style I am used to hearing from Lady Morte. Looking at the booklet, The Unquiet Grave is credited as a traditional English folk song and indeed it shares its DNA with another English classic: Over The Hills And Far Away. So definitely NOT what I was expecting! When Uri Bokskog throws in a lovely Celtic tin whistle solo, the sound seemingly flowing in from the distant fields of Ireland, my surprise is complete.
Anxiously I await the start of Mandragora Autumnalis: will it be a continuation of this ‘new’ Celtic sound? Yes, it is! A single harp melody follows you as you walk through a thick and ancient forest. There is the sound of birds, both ancient and exotic, eerie and muffled, dampened by the mist of the forest. It sets the mood perfectly for what is to come. As always Oscar David (Axstudio, responsible for the mix and mastering) and Lady Morte (co-producer) managed to put down an awesome, unique sound. The drums are dark and spiritual, drawing you deep into ancient woods. Woods that are created in your imagination, born out of the tantalizing music of Trobar de Morte It’s the green forests hidden deep within the pages of The Book of Shadows. Right there, between the dark shadows of the immaculate handwriting that covers the pages of this ancient book of wisdom. It is filled with the power of long-forgotten druids, their spells luring you in. This, dear friends, is powerful magic. The Mandragora is calling you in, deeper and deeper, do you dare and follow its call?

Going into the fifth song, Fuga Maleficis, I’m starting to understand what is so different about Trobar’s sound on this album. The music is still layered, it is still created by stacking melody upon melody, but where on previous albums the layers were mostly glued together with keyboard carpets and voice effects, in this case, the layers are filled in with the instruments themselves, which gives the overall sound more space to breathe. It gives the individual instruments more room to fill, making you hear much more of the nuances played by the musicians than you normally would. Even on Fuga Maleficis, – which is a typical grand Trobar de Morte song with all those multi-layered choir vocals and magnificent orchestral arrangements of strings, percussion, and folk instruments- you can hear ALL the subtle details as well. You can easily hear the cheerful tin whistle solo playing around the Celtic choir for instance. Or the viola sound quickly ‘rushing’ away into the shadow of the woods, as it finds itself captured in a musical break, just seconds before the enchanting power of lady Morte’s vocals is unleashed again. It are two small details hidden within an impressive orchestra of sound, but it are those details take make this CD extra special.
The same goes for the vocals. On this album Oscar and Lady Morte managed to make it sound like a true, full-on, mighty impressive choir. What a sound. What a stunning song this is. Possibly my favourite one on this album. This more open natural sound also makes The Book of Shadows sound rather cheerful and positive despite its dark title. It is almost in contrast with its title actually. Melusine Cantus is another good example of this. Yes, it is solemn in style, the Latin texts even enhance the spiritual feel of the song, but the open, ‘natural’ sound of the song gives it a pleasant feel. We celebrate the power of the Book of Shadows on this album, we do not fear it. We hear the music through the ears of the Druids and Wiccans of this world, past and present. Those who are one with nature, not in fear of them as some people would be.

Pleninulio sounds like a reprise of Sister Of The Night (found on the 2018 album Witchcraft) and is another one of my highlights on this great album. I loved the song in its original form, dark and daunting. I also love it in this more open, instrumental, Persian reprise. Hearing all those details in the music is a treat. The percussion (well done throughout the whole CD); the grand string arrangements; the subtle organ-like keyboard support; the beautiful cello/ viola solo starting around 50 seconds, answered by the whole string section; the enchanting vocal solo of lady Morte; the hurdy-gurdy seemingly calling from the edge of the woods; and the Spanish sounding guitar solo taking you to a musical version of Alhambra, holding its own against a virtual castle wall of orchestral sound. This is one of the best songs Trobar de Morte ever recorded. But not the only wonderful song on The Book of Shadows. Just listen to Land of Sorcery, how positive that feels, what an enchanting mix between Celtic folk and spiritual pagan folk it is. Listen to Luna Cornula and the dark male vocals of Uri catching me off guard yet again. Darn, this is all SOOO good!!!



My conclusion can be short and sweet. I love the pagan folk/Dead Can Dance sound Trobar de Morte have created over the years. I would not have minded another album in that style, not at all. But I ADORE this version of their music, this open orchestral version of lady Morte’s unique style. Trobar de Morte have recorded another musical masterpiece. One that will spread joy and positivity as much as it will spread awe amongst their fans, including myself. A positivity that is much needed in these odd times, and I thank Trobar de Morte for that, with all my heart!

– Cliff

editor: Sara
cover art: artdrómeda photography
Pictures: Cliff de Booy











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